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How to test the performance of a FET microphone?

Testing the performance of a FET microphone is a crucial process for ensuring its quality and suitability for various applications. As a FET microphone supplier, I understand the significance of accurate performance testing to meet the diverse needs of our customers. In this blog, I will share some key methods and considerations for testing the performance of a FET microphone. FET Microphone

Understanding FET Microphones

Before delving into the testing process, it’s important to have a basic understanding of FET microphones. FET, or Field – Effect Transistor, microphones are a type of condenser microphone. They use a FET amplifier to convert the electrical signal generated by the diaphragm into a usable output. FET microphones are known for their high sensitivity, low noise, and wide frequency response, making them popular in applications such as recording studios, live sound reinforcement, and broadcast.

Key Performance Parameters

There are several key performance parameters that need to be tested when evaluating a FET microphone:

1. Sensitivity

Sensitivity refers to the microphone’s ability to convert sound pressure into an electrical signal. It is typically measured in millivolts per pascal (mV/Pa). To test the sensitivity of a FET microphone, we use a calibrated sound source, such as a pistonphone or a loudspeaker in an anechoic chamber. The sound source emits a known sound pressure level (SPL), and the microphone’s output voltage is measured. By comparing the output voltage with the known SPL, we can calculate the microphone’s sensitivity.

A high – sensitivity microphone is desirable for capturing faint sounds, while a lower – sensitivity microphone may be more suitable for high – SPL environments to prevent overloading.

2. Frequency Response

The frequency response of a microphone describes how it responds to different frequencies of sound. A flat frequency response is generally preferred, as it means the microphone reproduces all frequencies equally. To test the frequency response, a swept – sine wave signal is sent through the loudspeaker in an anechoic chamber. The microphone captures the sound, and its output is analyzed using a spectrum analyzer. The resulting frequency response curve shows the microphone’s gain at different frequencies.

For example, in a recording studio, a microphone with a flat frequency response from 20 Hz to 20 kHz can accurately reproduce the full range of human – audible sound, ensuring high – quality recordings.

3. Signal – to – Noise Ratio (SNR)

The SNR is a measure of the ratio between the desired signal (the sound being recorded) and the background noise. A higher SNR indicates that the microphone can capture the signal with less interference from noise. To measure the SNR, the microphone is placed in a quiet environment, and the noise level is measured. Then, a known sound signal is introduced, and the signal level is measured. The SNR is calculated by taking the difference between the signal level and the noise level in decibels (dB).

A high SNR is essential for applications where clear audio is required, such as voice recording and broadcast.

4. Total Harmonic Distortion (THD)

THD measures the amount of distortion introduced by the microphone when reproducing a sound signal. It is expressed as a percentage. To test THD, a pure sine wave signal is sent through the loudspeaker, and the microphone captures the sound. The output signal is then analyzed to determine the amount of harmonic distortion present. A low THD value indicates that the microphone can reproduce the sound accurately without adding significant distortion.

In music recording, a low – THD microphone is crucial for maintaining the integrity of the original sound.

5. Directional Pattern

The directional pattern of a microphone describes how it responds to sound from different directions. Common directional patterns include omnidirectional, cardioid, super – cardioid, and figure – eight. To test the directional pattern, the microphone is rotated in an anechoic chamber while a sound source emits a constant sound. The output of the microphone is measured at different angles, and the resulting polar pattern is plotted.

The choice of directional pattern depends on the application. For example, an omnidirectional microphone is suitable for capturing sound from all directions, such as in a conference room, while a cardioid microphone is better for focusing on sound from the front, like in a live performance.

Testing Equipment

To perform accurate performance testing, the following equipment is required:

  • Anechoic Chamber: An anechoic chamber is a room designed to absorb all reflections of sound, providing a controlled environment for testing. It eliminates the influence of external noise and reflections, ensuring accurate measurement of the microphone’s performance.
  • Calibrated Sound Source: A calibrated sound source, such as a pistonphone or a loudspeaker, is used to generate a known sound pressure level and frequency.
  • Spectrum Analyzer: A spectrum analyzer is used to analyze the frequency content of the microphone’s output signal. It can display the frequency response curve and measure the THD.
  • Oscilloscope: An oscilloscope is used to visualize the electrical signal output by the microphone. It can help detect any abnormal waveforms or interference.
  • Power Supply: A stable power supply is required to provide the necessary power to the FET microphone.

Testing Procedure

The following is a general testing procedure for a FET microphone:

1. Preparation

  • Ensure that the testing equipment is properly calibrated and functioning correctly.
  • Place the microphone in the anechoic chamber and connect it to the testing equipment.
  • Set the power supply to the appropriate voltage for the microphone.

2. Sensitivity Testing

  • Use a calibrated sound source to generate a known SPL, typically around 94 dB SPL.
  • Measure the output voltage of the microphone using a voltmeter.
  • Calculate the sensitivity of the microphone using the formula: Sensitivity (mV/Pa)=Output Voltage (mV)/Sound Pressure (Pa).

3. Frequency Response Testing

  • Send a swept – sine wave signal through the loudspeaker, covering the frequency range of interest (usually 20 Hz to 20 kHz).
  • Analyze the microphone’s output using a spectrum analyzer to obtain the frequency response curve.
  • Check for any irregularities or dips in the frequency response curve.

4. SNR Testing

  • Measure the background noise level in the anechoic chamber with the microphone.
  • Introduce a known sound signal at a certain SPL.
  • Measure the signal level and calculate the SNR using the formula: SNR (dB)=10 log (Signal Power/Noise Power).

5. THD Testing

  • Send a pure sine wave signal through the loudspeaker at a specific frequency and amplitude.
  • Analyze the microphone’s output using a spectrum analyzer to measure the THD.

6. Directional Pattern Testing

  • Rotate the microphone in the anechoic chamber while a sound source emits a constant sound.
  • Measure the output of the microphone at different angles (e.g., every 10 degrees).
  • Plot the polar pattern based on the measured data.

Quality Assurance and Calibration

After testing, it’s important to ensure that the microphone meets the specified performance standards. If the microphone fails to meet the standards, it may need to be adjusted or repaired. Regular calibration of the testing equipment is also essential to maintain the accuracy of the testing results.

Conclusion

Testing the performance of a FET microphone is a comprehensive process that requires careful attention to detail and the use of appropriate testing equipment. By accurately testing key performance parameters such as sensitivity, frequency response, SNR, THD, and directional pattern, we can ensure that our FET microphones meet the highest quality standards.

Ribbon Microphone As a FET microphone supplier, we are committed to providing our customers with high – quality microphones that meet their specific needs. If you are interested in purchasing FET microphones or have any questions about our products, please feel free to contact us. We look forward to discussing your requirements and providing you with the best solutions.

References

  • "Microphone Handbook" by Günter Blauert
  • "Audio Engineering: Principles and Practices" by Glen Ballou

Shanghai Shengyin Electronics Co., Ltd.
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